If you want to learn more about me and my work, feel free to visit my homepage or my IMDB profile. As a journalist and documentarian, I’ve also interviewed filmmakers such as Mick Garris, Jonathan Mostow, William Lustig, Uwe Boll, John Cox, Ken Wheat, Patrick Vollrath, Alan J. The Revenant won the Oscar for best cinematography, but it still wont catch up even if it wins best picture, director, actor and supporting actor. The cinematographer John Seale, who shot Mad Max Fury Road, wasn’t involved in producing the black-and-chrome version, but finds the idea enticing. Director George Miller and his team worked so hard on creating the world of the film, and it paid off the film won six Academy Awards and received mass. I’m currently working on a documentary on cult filmmaker Howard Ziehm. Mad Max: Fury Road (2015) is a post-apocalyptic action film set in a desert wasteland where all natural resources are severely depleted.
My mystery/horror short CINEMA DELL’ OSCURITÀ was nominated for the 13th Street Shocking Short award in 2017. I’ve written and directed the psychological thriller THE MUSE. Academy Award-winning cinematographer John Seale talks to Gold Derby editor Zach Laws about the shooting Mad Max: Fury Road, directed by George Miller and.
MAD MAX FURY ROAD CINEMATOGRAPHY MOVIE
From cult movie directors to character actors, from seasoned veterans to brilliant newcomers, from celebrated artists to filmmakers who haven’t received the recognition they deserve – these folks have made some great movies and have lots of fascinating stories to tell. TALKING PICTURES is an interview series in which I talk to the people behind some of my favorite movies.
MAD MAX FURY ROAD CINEMATOGRAPHY PLUS
I’m Christian Genzel, a filmmaker and film journalist from Salzburg, Austria. Mad Max: Fury Road (2015) tech specs : shot on ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera and Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses - Directed by George Miller with Cinematography by John. The director uses medium shots to discard the props, extras, and background that are the protagonist during most of the scene.
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